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Talk:Pascha

755 bytes added, 14:18, April 18, 2016
Celebration of the feast
This section needs a major revision in that the celebration begin with vespers. A section for vespers (or vesperal liturgy, or vespers with liturgy of St Basil) should be added. Why: Pascha doesn't start at midnight: it's no different from any other day of the year in that it starts with vespers the evening before. In this case vespers is combined with the divine liturgy of St Basil on Holy Saturday. At this service standard hymns of the resurrection are sung in tone 1, which is the tone of the day of Pascha; the resurrection gospel is read; the colors are changed to bright colors. Indications are that it's Pascha, and liturgically it is Pascha. Of course, the explosive celebration is held off until midnight, so that we don't say "Christ is risen" or sing the paschal troparion until midnight; the canons say the fast must continue till midnight; and this of course is because Christ didn't rise on Saturday afternoon but during the night. But liturgically it's Pascha by the time you're midway through the vesperal liturgy; certainly by the time the gospel is read and the colors are changed. The transition begins with the singing of resurrectional hymns at Lord, I have cried, just like on any other day of the year. According to the typicon (Moscow typicon at least) the timing of the St Basil's Liturgy is the latest in the year. Fr A Schmemann wrote of the "genius" of the Byzantine division of the feast into two parts: the Holy Saturday liturgy and the midnight service. In earlier times baptisms of catechumens would occur between the two services.
 
And then a mention of the reading of the book of Acts, since that comes after the vesperal liturgy and concerns the life of the Church after the resurrection; and a section about midnight office (or nocturne) should be added, because obviously that comes after the vesperal liturgy but before Paschal Matins. That the canon of Holy Saturday is re-read at nocturne shows that at that point, we're still waiting (in a sense) for the rising, even though the resurrection has been announced earlier in the day and we know the Lord is risen. The troparion (apolytikion) of the resurrection in Tone 2 is sung ("When you descended to death, O life immortal ...") because it mentions the descent into hades, the slaying of hades, and the rising from the depths.
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